Over the years, author Aimee Bender has proven time and time again that she’s able to bridge the mundane with the surreal in her work. Her writing has shown clearly her creative abilities to explore the absurdities of the modern world, focusing especially on individuals’ relationships among family and friends.
Known for her strange, sometimes controversial work, author A.M. Homes has been praised for her originality and unconventional style when it comes to writing. Her work, which has been characterized as surreal, postmodern and darkly humorous, has been known for exploring the inner psyches of often troubled characters in dire situations, including confrontations with their own sexualities and the darker aspects of their personalities.
Many people were excited for the new highly anticipated adaptation of the video game franchise, “Mortal Kombat.” The popular fighting game is considered one of the most successful video game series of all time, with many of its characters, such as Sub-Zero and Scorpion, considered some of the most recognizable and iconic characters in gaming fandom.
Few names are as recognizable in experimental literature as Ben Marcus. His numerous short stories and novels have been described equally as surreal, satirical, comical, absurd, meta, dystopic, postmodern, but above all else: entertaining and unique. Marcus’s work transports readers to vivid, oppressive, often terrifying worlds full of lyrical language and a one-of-a-kind writing style.
Tyler Fugazzie is unlike any artist you’ve ever heard of.
In many ways, the title “artist” might not do Fugazzie justice. His work and creative interests span a wide range of artistic frameworks and styles, from visual design, creative writing, poetry, music and photography, just to name a few.
Jonathan Lethem is seemingly unstoppable. Over the past 30 years, the author has written on subjects ranging from science fiction to the civil rights movement, dystopias to noir, tough-talking kangaroo gangsters to superheroes that exist in the real world today.
Monster movies are hard to make. The pressure on the part of the moviemaker revolves around making a movie that seems balanced between intense action sequences focused on the monster, along with some interesting human characters to propel the film’s main narrative forward. Few movies have been able to do this well and the newest addition to Legendary Entertainment’s “MonsterVerse” franchise, “Godzilla vs. Kong” only partially delivers.
I should probably clarify for anyone wondering: no, I did not see the original 2017 “Justice League,” namely due to the fact that everyone I spoke with who had seen it actively spoke about how bad it was. So let me be clear right off the bat — I am not here to evaluate whether the “Snyder Cut” is an improvement upon the original 2017 film at all. I am simply here to judge Snyder’s new “Justice League” on its own merits and as its own movie.
In his follow-up novel, “The Committed,” Nguyen turns his attention to France, with the titular character relocating to 1980s Paris, uncovering a world of bureaucratic authority and left-wing radicalism while confronting the past atrocities of French colonization in Vietnam.
There are many words one could use to describe director Shaka King’s new film “Judas and the Black Messiah” — amazing, remarkable, spectacular. Basically, you could look in a thesaurus and look under the word “excellent,” to be able to justifiably apply any of its synonyms to “Judas and the Black Messiah.” The movie is that good.