Ava Max is an up-and-coming singer/songwriter best known for her single, “Sweet But Psycho.” Following her hit song that was released in August of 2018 and has topped the charts since, she started recording her debut album “Heaven & Hell” which the 26-year-old released on Sept. 18. […]
Most people know Machine Gun Kelly as the rapper who traded diss tracks with Eminem, or as the artist on “Bad Things,” the chart-topping hit he had alongside Camila Cabello, that took over airwaves between late 2016 and early 2017. […]
If it weren’t for Brandon Flower’s chiseled punk guyliner and sultry voice, I probably would have tried to move on from 00’s rock bands. The Killers have been held in limbo for quite some time in the midst of these trying times, so why not shoot 2020 in the foot and release their new album, “Imploding the Mirage?” But this foot sets off running with quite an explosive array of figments in a time capsule. […]
In a time where it seems like the world could be ending any day now, the second season of “The Umbrella Academy” couldn’t have hit Netflix at a better time. The live-action adaptation of the 2016 graphic novel by My Chemical Romance lead singer, Gerard Way, returned July 31, throwing returning fans and newcomers into a binging frenzy. […]
The documentary included commentary from a few of the victims’ families, specifically from the families of 7-year-old Daniel Barden, 6-year-old Dylan Hockley and 6-year-old Benjamin Wheeler. Each of the families discuss how their lives have changed since the tragedy and how they plan to live for their children and honor their memories.
Noname’s use of this genre as a staple of her music marks a key difference in her style of rap in comparison to other popular female hip-hop artists. In short, it allows her to do what so many others in the genre fail to do in their attempts to mimic their more mainstream predecessors. She does not try to rap in the harsh, aggressive ways that are characteristic of some prominent female rappers like Iggy Azalea and Nicki Minaj, and the result is something raw and genuine, a refreshing and honest work of art. […]
The Netflix adaptation is not a failure in any sense, but it doesn’t quite hit its mark. The suspenseful storyline, coupled with the star-crossed lovers theme and controversial subject matter, all but ensure the popularity of the series. […]
These lyrical themes are evident from the first track on the album, “For My Pethis track, Joey raps about how difficult it can be growing up black in America. It’s a great opening track, and its calming, yet upbeat production draws the listener in with soft synthesizers and horns behind a groovy drum rhythm. His lyrics also seem to summarize the purpose of the album.
“Music is a form of expression,” Joey raps. “Imma use mine just to teach you a lesson.” […]
The majority of the songs were still very enjoyable even if the sound was a little repetitive. You can hear little bits of “I Want Something Just Like This,” featuring Coldplay, in the group’s other tracks like “Don’t Say” and “Bloodstream.” But the consistency isn’t bad. It gives off a relaxed pop sound.
For me, a lot of the appeal with superhero comics is the way creators weave in the more ridiculous ideas from that tapestry into the story. These things complicate the comic on the surface, but at its core is a simple hero’s journey. Adaptations usually seem ashamed to touch on the ridiculous things in the comic book universe. Netflix doesn’t even put their heroes in spandex until the very last episode, if that. “Legion” is not afraid to dip its toes in the unusual and the absurd, while still being a superb superhero story. […]
Rick’s character flaws have been demonstrated time and time again in the show, and his other family members certainly don’t like him any better for it. Jerry Smith is the epitome of every foolish human being. He acts in contrast with Rick’s obvious genius. He is consistently overlooked by other members of the family, and deplores Rick for good reason –– Rick is self-destructive and has a tendency to leave people behind in his catastrophic mistakes. […]
Few games boast a world as immersive as the one in “Tom Clancy’s Ghost Recon: Wildlands.” The game offers many stunning environments for the player to traverse while trying to complete missions in any way they see fit. […]
Blunt steps out of his comfort zone in an attempt to serenade us with a more bubble-gum pop sound that, while not perfectly suitable for his voice, does let you explore a side to Blunt you’d never think you’d see.